January 2021

Scottish Towns-Cities. Paisley, (Renfrewshire).

Paisley (/ˈpeɪzli/ PAYZ-lee; Scots: Paisley, Scottish Gaelic: Pàislig [ˈpʰaːʃlɪkʲ]) is a town situated in the west central Lowlands of Scotland. Located north of the Gleniffer Braes, the town borders the city of Glasgow to the east, and straddles the banks of the White Cart Water, a tributary of the River Clyde.

It serves as the administrative centre for the Renfrewshire council area, and is the largest town in the historic county of the same name. Paisley is often cited as “Scotland’s largest town” and is the fifth largest settlement in the country, although it does not have city status.

The town became prominent in the 12th century, with the establishment of Paisley Abbey, an important religious hub which formerly had control over other local churches.

By the 19th century, Paisley was a centre of the weaving industry, giving its name to the Paisley shawl and the Paisley Pattern. The town’s associations with political Radicalism were highlighted by its involvement in the Radical War of 1820, with striking weavers being instrumental in the protests. By 1993, all of Paisley’s mills had closed, although they are memorialised in the town’s museums and civic history.

History

Early history

Formerly and variously known as PaislayPasseletPasseleth, and Passelay the burgh’s name is of uncertain origin; some sources suggest a derivation either from the Brittonic word pasgill, “pasture”, or from passeleg, “basilica”, (i.e. major church), itself derived from the Greek βασιλική basilika. However, some Scottish place-name books suggest “Pæssa’s wood/clearing”, from the Old English personal name Pæssa, “clearing”, and leāh, “wood”. Pasilege (1182) and Paslie (1214) are recorded previous spellings of the name. The Gaelic translation is Pàislig.

The Anchor Mills (1886) – a remnant of Paisley’s Victorian industrial heritage.

Paisley has monastic origins. A chapel is said to have been established by the 6th-/7th-century Irish monk, Saint Mirin at a site near a waterfall on the White Cart Water known as the Hammils. Though Paisley lacks contemporary documentation it may have been, along with Glasgow and Govan, a major religious centre of the Kingdom of Strathclyde. A priory was established in 1163 from the Cluniac priory at Wenlock in Shropshire, England at the behest of Walter fitz Alan, Steward of Scotland (d. 1177). In 1245 this was raised to the status of an Abbey. The restored Abbey and adjacent ‘Place’ (palace), constructed out of part of the medieval claustral buildings, survive as a Church of Scotland parish church. One of Scotland’s major religious houses, Paisley Abbey was much favoured by the Bruce and Stewart royal families. King Robert III (1390–1406) was buried in the Abbey. His tomb has not survived, but that of Princess Marjorie Bruce (1296–1316), ancestor of the Stewarts, is one of Scotland’s few royal monuments to survive the Reformation.

Paisley coalesced under James II’s wish that the lands should become a single regality and, as a result, markets, trading and commerce began to flourish. In 1488 the town’s status was raised by James IV to Burgh of barony. Many trades sprang up and the first school was established in 1577 by the Town Council.

Witch Trials.

The Paisley witches, also known as the Bargarran witches or the Renfrewshire witches, were tried in Paisley in 1697. Seven were convicted and five were hanged and then burnt on the Gallow Green. Their remains were buried at Maxwelton Cross in the west end of the town. This was the last mass execution for witchcraft in western Europe. A horse shoe was placed on top of the site to lock in the evil. A horse shoe is still visible in the middle of this busy road junction today—though not the original. The modern shoe is made of bronze and bears the inscription, “Pain Inflicted, Suffering Endured, Injustice Done”.

Industrial Revolution.

The Industrial Revolution, based on the textile industry, turned Paisley from a small market town to an important industrial town in the late 18th century. Its location attracted English mill owners; immigrants from Ayrshire and the Highlands poured into a town that offered jobs to women and children. However, silk fell out of fashion in 1790. The mills switched to the imitation Kashmir (cashmere) shawls called “Paisley”. Under the leadership of Thomas Coats (1809-1893), Paisley became the world centre for thread making. The high-status skilled weavers mobilised themselves in radical protests after 1790, culminating in the failed “Radical War” of 1820. Overproduction, the collapse of the shawl market and a general depression in the textile industry led to technical changes that reduced the importance of weavers. Politically the mill owners remained in control of the town.

Origins of Paisley Shawls.

By the mid-19th century weaving had become the town’s principal industry. The Paisley weavers’ most famous products were the shawls, which bore the Paisley Pattern made fashionable after being worn by a young Queen Victoria. Despite being of a Kashmiri design and manufactured in other parts of Europe, the teardrop-like pattern soon became known by Paisley’s name across the western world. Although the shawls dropped out of fashion in the 1870s, the Paisley pattern remains an important symbol of the town: the Paisley Museum maintains a significant collection of the original shawls in this design, and it has been used, for example, in the modern logo of Renfrewshire Council, the local authority.

According to Monique Lévi-Strauss, informations on the history of Kashmir Shawls’s weaving techniques had been described in books, but in a very unintelligible language. John Irwin published in 1955 a book named Shawls, a Study in Indo-European Influences, in which he relates the Kashmir Shawls history and how these Shawls spread on the European Market during the XIX° century. The book showed images of Shawls woven in India and also 15 images of Shawls woven in United-Kingdom, amongst which one assigned to a Paisley Manufacture, circa 1850. But according to Monique Lévi-Strauss, it resembles by many details a Shawl designed by a French designer named Antony Berrus, born in 1815 at Nîmes-France and died in 1883. The designer studied at the drawing School of Nîmes, before settling in Paris and opening in the French Capital his own successful design studio, which employed 200 designers. His textile drawings were sold to Lyon in France, in Scotland, in England, in Austria and also in Kashmir. The fact that Shawls patterns drawings were made in Europe, sold there and also to India, made as a result the research work extremely difficult, as to give a precise location of manufacture. Therefore, in 1973, John Irwin published an update of his book, named as The Kashmir Shawl, in which he removed all the images of the Shawls related to a European manufacturing. Monique Lévi-Strauss clearly states that her research led her to focus on the Shawls Creative Industries in France in the XIX° century, for the reason that the Shawl industries in the United-Kingdoms (Paisley), Austria (Vienna), Germany (Elberfeld) widely got their inspiration from France (Paris) and never the opposite. The Author was then inviting textile specialists from these countries to conduct research on their own field. However, Monique Lévi-Strauss clearly specifies the large influence that Kashmir had on the French Shawl creative industries. So the French history of Kashmir Shawls is narrowly linked to the Indian one.

Political Radicalism.

Through its weaving fraternity, Paisley gained notoriety as being a literate and somewhat radical town and between 1816 and 1820 became the scene of a Radical War. Political intrigue, early trades unionism and reforming zeal came together to produce mass demonstrations, cavalry charges down the high street, public riots and trials for treason. Documentation from the period indicates that overthrow of the government was even contemplated by some. The weavers of Paisley were certainly active in the ‘Radical War’. The perceived radical nature of the inhabitants prompted the Tory Prime Minister Benjamin Disraeli to comment “Keep your eye on Paisley”. The poet Robert Tannahill lived in this setting, working as a weaver. Paisley’s annual Sma’ Shot Day celebrations held on the first Saturday of July  were initiated in 1856 to commemorate a 19th-century dispute between weavers and employers over payment for “sma’ shot” – a small cotton thread which, although unseen, was necessary in holding together garments.

A permanent military presence was established in the town with the completion of Paisley Barracks in 1822.

Economic Hardship.

The economic crisis of 1841–43 hit Paisley hard as most of the mills shut down. Among the mill owners, 67 of 112 went bankrupt. A quarter of the population was on poor relief. The Prime Minister, Sir Robert Peel decided to act. He secured additional funds for relief and sent his own representative to the city to supervise its distribution. He convinced Queen Victoria to wear Paisley products in order to popularise the products and stimulate demand.

The American Civil War of 1861–1865 cut off cotton supplies to the textile mills of Paisley. The mills in 1861 had a stock of cotton in reserve, but by 1862 there was large-scale shortages and shutdowns. There were no alternative jobs for the workers, and local authorities refused to provide relief. Voluntary relief efforts were inadequate, and the unemployed workers refused to go to workhouses. Workers blamed not the United States, but rather the officials in London for their hardship and did not support the idea of war with the United States.

First World War.

Paisley War Memorial

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Paisley suffered heavy losses in the First World War. The town’s war memorial was designed by Sir Robert Lorimer (other sources say Harold Tarbolton) in 1922 and depicts Robert the Bruce going into battle on horseback escorted by footsoldiers dressed as First World War infantry soldiers. It was sculpted by Alice Meredith Williams.

Paisley Snail.

Paisley was also the site of an incident that gave rise to a major legal precedent. In a Paisley cafe in 1928, a woman allegedly found a dead snail in a bottle of ginger beer, and became ill. She sued the manufacturer for negligence. At the time a manufacturer was considered liable only if there was a contract in place with the harmed party. However, after Donoghue v Stevenson wound through the courts, a precedent was established that manufacturers (and other “neighbours” or fellow citizens) owe a duty not to do foreseeable harm to others by negligence, regardless of contractual obligations, which paved the way for modern tort law. The case is often called the “Paisley snail”.

Second World War.

Owing to its industrial roots, Paisley, like many industrial towns in Renfrewshire, became a target for German Luftwaffe bombers during World War II. Although it was not bombed as heavily as nearby Glasgow (see Clydebank Blitz), air raids still occurred periodically during the early years of the war, killing nearly a hundred people in several separate incidents; on 6 May 1941, a parachute mine was dropped in the early hours of the morning claiming 92 victims; this is billed the worst disaster in Paisley’s history. The Gleniffer Braes, on the southern outskirts of Paisley, are home to a number of “decoy ponds” (mock airfields) used by the RAF after the Battle of Britain as part of a project code-named “Starfish Decoy” designed to confuse German spies.

Industrial Decline.

Paisley, as with other areas in Renfrewshire, was at one time famous for its weaving and textile industries. As a consequence, the Paisley pattern has long symbolic associations with the town. Until the Jacquard loom was introduced in the 1820s, weaving was a cottage industry. This innovation led to the industrialisation of the process and many larger mills were created in the town. Also as a consequence of greater mechanisation, many weavers lost their livelihoods and left for Canada and Australia. Paisley was for many years a centre for the manufacture of cotton sewing thread. At the heyday of Paisley thread manufacture in the 1930s, there were 28,000 people employed in the huge Anchor and Ferguslie mills of J & P Coats Ltd, said to be the largest of their kind in the world at that time. In the 1950s, the mills diversified into the production of synthetic threads but production diminished rapidly as a result of less expensive imports from overseas and the establishment of mills in India and Brazil by J & P Coats. By the end of the 1993, there was no thread being produced in Paisley. Both industries have left a permanent mark on the town in the form of the many places with textile related names, for example, Dyer’s Wynd, Cotton Street, Thread Street, Shuttle Street, Lawn Street, Silk Street, Mill Street, Gauze Street and Incle Street.

The town also supported a number of engineering works some of which relied on the textile industry, others on shipbuilding. Paisley once had five shipyards including John Fullerton and Company (1866–1928), Bow, McLachlan and Company (1872–1932) and Fleming and Ferguson (1877–1969).

Advertisement for the Ferguslie Thread Works in the 1867 Paris World Fair catalogue

A number of food manufacture companies existed in Paisley. The preserve manufacturer Robertsons began in Paisley as a grocer whose wife started making marmalade from oranges in 1860. This product was successful and a factory was opened in Storie Street, Paisley, to produce it in 1866 and additional factories were later opened in Manchester, London and Bristol. The company was taken over by Rank Hovis McDougall who closed its Stevenson Street factory and transferred production to England in the 1970s. Brown and Polson was formed in Paisley in 1840 and two years later started producing starch for the weaving trades, by 1860 it was making food products including its patent cornflour. It later became CPC Foods Ltd, a subsidiary of Unilever, which produced Hellmann’s mayonnaise, Gerber baby foods and Knorr soups. The company ceased production in Paisley in 2002.

In 1981 Peugeot Talbot, formerly Chrysler and before that Rootes, announced that its Linwood factory just outside Paisley would cease production. This led to the loss of almost 5,000 jobs.

At one time M&Co. (Mackay) had its head office in Caledonia House in Paisley.

Regeneration

In 2015, the town launched its bid to become UK City of Culture in 2021. On 15 July 2017 Paisley was announced as one of five shortlisted candidates, however on December 7, 2017 Paisley lost its bid to Coventry. Following the announcement, Renfrewshire Council and the Paisley 2021 Board stated that Paisley’s “journey will continue” and that the bid process was “just the beginning” for regeneration processes to begin in the town.

Economy

Public sector organisations in Paisley include the headquarters of Renfrewshire Council, the largest campus of the University of the West of Scotland, the Paisley campus of West College Scotland and the Royal Alexandra Hospital.

Glasgow Airport, located on the northern edge of Paisley, is also a significant employer and part of the area’s transport infrastructure. The airline Loganair’s registered office is located within the airport complex.

Glasgow Airport in Paisley’s Abbotsinch area.

Scotch whisky blenders and bottlers Chivas Brothers, now a subsidiary of Pernod Ricard, are also located in the town.

The site of the former Rootes/Chrysler/Talbot on western the outskirts of the town is now home to Phoenix Retail Park. Numerous private developers have invested, creating various retail outlets, vehicle showrooms, restaurants, a cinema complex, hotel and a business centre.

Landmarks

As the administrative centre of the county of Renfrewshire, Renfrew District and, currently, Renfrewshire council area, Paisley is home to many significant civic buildings. Paisley Town Hall, adjacent to the Abbey, was funded by the will of George Aitken Clark, one of the Clark family, owners of the Anchor Mills. In competition, Sir Peter Coats funded the construction of the modern Paisley Museum and Central Library (1871), also in a neo-Classical style. The Clarks and Coats families dominated Paisley industry until their companies merged in 1896. Renfrewshire’s former County Buildings, Police Station and Jail on County Square have been since demolished, and the County Council then met in a newer neo-classical building which now houses Paisley Sheriff Court.

Renfrewshire House, the modern headquarters of Renfrewshire Council, was constructed as Paisley Civic Centre. Designed by Hutchison, Locke and Monk following a competition, the building was designed to house offices of both the county and town councils. It was intended to become a civic hub for Paisley but the absence of any shops and non-council premises prevented this from happening. It became the home of the Renfrew sub-region of Strathclyde Regional Council in 1975 and of Renfrewshire Council in 1996. It is listed by the conservation organisation DoCoMoMo as one of the sixty key Scottish monuments of the post-war period.

Other civic buildings of interest include the Russell Institute, an art deco building constructed in 1926.

Religious sites

Paisley Abbey was the burial place of many Scottish kings of the House of Stewart during the 13th, 14th and 15th centuries

Most noticeable among the buildings of Paisley is its medieval Abbey in the centre of the town dating from the 12th century. The earliest surviving architecture is the south-east doorway in the nave from the cloister, which has a round arched doorway typical of Romanesque or Norman architecture which was the prevalent architectural style before the adoption of Gothic. The choir (east end) and tower date from the late 19th and early 20th centuries and are examples of Gothic Revival architecture. They were reconstructed in three main phases of restorations with the tower and choir conforming to the designs of Dr Peter MacGregor Chalmers. The roof in the nave is the most recent of restorations with the plaster ceiling by Rev Dr Boog which was added in the 1790s being replaced by a timber roof in 1981.

Thomas Coats Memorial Baptist Church, named for the industrialist Thomas Coats (1809–1883), is an example of Gothic Revival architecture. It dominates the town’s skyline with its crown spire more than 60 metres (197 ft) high. Opened in 1894 and designed by Hippolyte Jean Blanc it is the largest Baptist church in Europe. The exterior is made of old red sandstone. Inside, the church is decorated with wood carvings, mosaic floors and marble fonts. The church also contains a 3040 pipe Hill Organ.

The St Mirin’s Cathedral in Incle Street is the seat of the Catholic Bishop of Paisley. The church was completed in 1931 to replace an earlier building, in nearby East Buchanan Street, which dated from 1808. The original St Mirin’s church was the first Catholic church to be built in Scotland since the Reformation. With the erection of the Diocese of Paisley in 1947 the church was raised to cathedral status.

St Matthew’s Church (Church of the Nazarene) at the junction of Gordon Street and Johnston Street is Art Nouveau in style. Designed by local architect William Daniel McLennan, a contemporary of Charles Rennie Mackintosh, it was built in 1905–07.

Other

Dating from circa 1160 Blackhall Manor is the oldest building in Paisley. It was given to the Burgh of Paisley by the Shaw-Stewart family in 1940, but was threatened with demolition in 1978. It was privately purchased in 1982 and fully restored as a private dwelling.

The Dooslan stane and the tolbooth bases in Brodie Park

As a result of its historic textile industry, Paisley has many examples of Victorian industrial architecture. Most notable is the Category A listed Anchor Mills, built in 1886. The building was converted in 2005 into residential flats. Textiles have a longer history in Paisley, represented by the Sma’ Shot cottages complex on Shuttle Street: a small public museum of weaving from its 18th-century origins as a cottage industry.

Another landmark connected with the textile industry is the Dooslan Stane or Stone. The stone was a meeting place of the Weavers Union in the south of Paisley; it was also used as a “soapbox” and was originally inscribed with its history (now largely faded). It was moved from its original site at the corner of Neilston Road and Rowan Street to its present location in Brodie Park. Also present, arranged around the Dooslan Stane, are the four original Paisley Tolbooth stones. The Dooslan Stane is still used today as the congregating point for the annual Sma’ Shot parade which takes place on the first Saturday in July.

The High Street drill hall was completed in about 1896.

The composer Thomas Wilson’s 1988 work Passeleth Tapestry (later his Fourth Symphony) commemorates the history of Paisley in a single 30-minute movement. Commissioned by Renfrew District Council to mark Paisley’s 500th anniversary as a burgh of barony, it was premiered on 6 August 1988 in Paisley Abbey with the Royal Scottish National Orchestra under Bryden Thomson.

The town also has a memorial to the legal case of Donoghue v Stevenson, also known as the Paisley Snail Case, which established the modern rules of negligence in Scots law and the legal systems of the Commonwealth.

Education

Paisley is the main site for the modern University of the West of Scotland, which was created from a merger between the University of Paisley and Bell College in Hamilton, South Lanarkshire. The University of Paisley was granted university status in 1992, having existed previously as a central institution known as Paisley College of Technology. The further education college West College Scotland has a campus in the town; this institution was previously known as Reid Kerr College.

There are currently four comprehensive state secondary schools in Paisley: Paisley Grammar School, Castlehead High School, St. Andrew’s Academy and Gleniffer High School. The oldest of these is Paisley Grammar which was founded in 1576 and was one of two former grammar schools in the town – alongside the former John Neilson Institution (latterly John Neilson High School) founded in 1852. Other former secondary schools in the area include Merksworth High School (to the north west of the town), St Mirin’s Academy or High School (on the west side of the town), St Aelred’s High School and Stanely Green High School (both on the south side of the town). Of the current secondary schools in the town, all are non-denominational save for St Andrew’s Academy which is a Roman Catholic school.

Religion.

Paisley is home to a number of religious denominations and is an important historical centre for the Christian faith in Scotland. The town’s historic patron saint is Saint Mirin (or Mirren); according to legendary accounts, Mirin settled in Paisley as a missionary sent from Ireland in the 6th century and was instrumental in bringing the relics of St Andrew to Scotland. Paisley Abbey, one of the towns most significant landmarks, was constructed as a priory in the 12th century and raised to abbey status in the 13th. It served as an ecclesiastical centre for a wide area surrounding the county of Renfrewshire for centuries until the Reformation when such religious centres were reduced to the status of parish churches. For the Church of Scotland, Paisley forms part of the Presbytery of Greenock and Paisley in the Synod of Clydesdale (see: Church of Scotland synods and presbyteries).

Other Christian communities have a number of churches in Paisley, many of which were the result of the Industrial Revolution where people from around the British Isles came to Paisley for work. The Roman Catholic Diocese of Paisley, created in 1947, is centred upon the town’s St Mirin’s Cathedral, the seat of the Bishop of Paisley. Paisley also forms part of the Episcopalian (Anglican) Diocese of Glasgow and Galloway with its main facilities being contained at the Holy Trinity and St Barnabas Church in the town centre, a congregation which united in 2004. There are currently two Baptist congregations in Paisley: in addition to Thomas Coats Memorial Baptist Church (see under “Landmarks – religious sites”) is Central Baptist Church, which meets in nearby Lady Lane. Paisley is home to a meetinghouse of the Church of Jesus Christ of Latter-day Saints located on Glenburn Road.

Other smaller religious groups exist in the town. The Methodist Church of Great Britain has a church and central hall opposite Paisley Abbey which forms part of the Ayrshire and Renfrewshire Circuit. The Christadelphians meet in a hall on Alice Street.

Thank you for Sharing me.

Public Poems . EE. Cummings.

All in green went my love Riding.

All in green went my love riding
on a great horse of gold
into the silver dawn.

four lean hounds crouched low and smiling
the merry deer ran before.

Fleeter be they than dappled dreams
the swift sweet deer
the red rare deer.

Four red roebuck at a white water
the cruel bugle sang before.

Horn at hip went my love riding
riding the echo down
into the silver dawn.

four lean hounds crouched low and smiling
the level meadows ran before.

Softer be they than slippered sleep
the lean lithe deer
the fleet flown deer.

Four fleet does at a gold valley
the famished arrow sang before.

Bow at belt went my love riding
riding the mountain down
into the silver dawn.

four lean hounds crouched low and smiling
the sheer peaks ran before.

Paler be they than daunting death
the sleek slim deer
the tall tense deer.

Four tall stags at a green mountain
the lucky hunter sang before.

All in green went my love riding
on a great horse of gold
into the silver dawn.

four lean hounds crouched low and smiling
my heart fell dead before.

Thank you for Sharing me.

My Poetry. Expressionless.

You search till there aren't any places 
look around at expressionless faces 
look to man for his own disgraces 
Naked women covered in laces. 
Children s laughter is filling the air 
when your older, nothing is fair 
keeping youthful without a tear 
trying out your past, but nothing is there. 
Knock at the door and you will find
people who are meek, loving, and kind
no enemy to beat, dazzle, or blind
no hands bleeding, no bandage to bind
The heart captures love, passion, truth
the body alive, encapsulated, aloof
there isn't a lie, you don't need the proof
or a fairy to take away the tooth.
A feeling of strength, nowhere to hide
forget the pitiful, embrace your pride
follow the stream, to the ultimate tide
fly high to the clouds, and glide
Trust your fellow man, conquer all fear
dodge the bullet, or a sharp spear
keep it under control, hold what's dear
every man has feelings shed a tear
Promises kept, sometimes promises lost
fearful shadows in counting the cost
feeling the ice, but avoiding the frost
shattered rocks, covered in moss.
Live today and care for your life
turn the other cheek if it cuts with a knife
always remember there has to be strife
hunger and famine are always rife..
Thank you for Sharing me.

Scottish Bands-Music. Deacon Blue.

This band were very popular in the 80’s folks, had a few hits which you may know but here is one of my favs.. enjoy.

DEACON BLUE. SCOTTISH BAND.

Deacon Blue are a Scottish pop rock band formed in Glasgow during 1985. The line-up of the band consists of vocalists Ricky Ross and Lorraine McIntosh, keyboard player James Prime and drummer Dougie Vipond. The band released their debut album, Raintown, on 1 May 1987 in the United Kingdom and in the United States in February 1988. Their second album, When the World Knows Your Name (1989), topped the UK Albums Chart for two weeks, and included “Real Gone Kid” which became their first top ten single in the UK Singles Chart.

Deacon Blue released their fourth album, Whatever You Say, Say Nothing, in 1993. The band split in 1994, following which Vipond began a career in television. Five years later, the band held a reunion gig, and this led on to a new album, Walking Back Home, with the band now working on a part-time basis. The band released another album, Homesick, in 2001. Though Graeme Kelling died from pancreatic cancer in 2004, the band has continued and 2006 saw Deacon Blue returning to the studio to record three new tracks for a Singles album – including the track “Bigger than Dynamite”. Deacon Blue’s next album was The Hipsters, in 2012. The band released another album, A New House, in September 2014. Believers, was released in September 2016. A concert recording of their return to the Barrowlands, Glasgow, was released on 31 March 2017.

As of 2012, Deacon Blue’s total album sales stood at six million, with twelve UK top 40 singles, along with two UK number one albums.

The album City of Love was released on 6 March 2020.

Career

1985–1987: Formation and early years

Taking their name from the 1977 Steely Dan song “Deacon Blues”, Deacon Blue were formed in 1985 following Ricky Ross’s move from Dundee to Glasgow. Along with Ross, the group originally consisted of Lorraine McIntosh, James Prime, Dougie Vipond, Ewen Vernal and Graeme Kelling.

Ross, a former school teacher originally from Dundee, was the group’s frontman, penning the majority of Deacon Blue’s songs. He married vocalist Lorraine McIntosh in 1990. In 1986, the band contributed a track (“Take the Saints Away”) to a compilation cassette entitled “Honey at the Core”, featuring then up-and-coming Glasgow bands, including Wet Wet Wet and Hue and Cry.

1987–1991: Raintown and When The World Knows Your Name.

The band’s debut album, Raintown, produced by Jon Kelly was released in 1987. It spawned the singles “Dignity”, “Chocolate Girl” and “Loaded”. The city that the album’s title refers to is Glasgow and the cover art of the album is a photograph (by the Scottish-Italian photographer Oscar Marzaroli) of the River Clyde’s docks taken from Kelvingrove Park. It proved a commercial success and has to date sold around a million copies, peaking in the UK Albums Chart at no. 14 and remaining in the charts for a year and a half. On 27 February 2006, Raintown was reissued as part of Columbia’s Legacy Edition series. The reissue was expanded to two CDs, the first of which featured the original 11 track album. The second CD featured alternate cuts of all 11 album tracks, as well as the two original CD bonus tracks “Riches” and “Kings of the Western World”. The new edition did not include the varied bonus cuts (remixes and b-sides) that were found on the singles from the album.

The second album, 1989’s When the World Knows Your Name, was the band’s most commercially successful, reaching No. 1 in the UK Albums Chart and generating five UK top 30 hits, including “Real Gone Kid”, “Wages Day”, and “Fergus Sings the Blues” (all five singles from the album were top 10 hits in Ireland). The following year saw the band play in front of an estimated 250,000 fans at the free concert on Glasgow Green, “The Big Day”, which was held to celebrate Glasgow being named that year’s European City of Culture. The band also played Glastonbury and the Roskilde festivals that summer, as well as released Ooh Las Vegas, a double album of B-sides, extra tracks, film tracks, and sessions which reached No. 3 in the UK Albums Chart.

1991–1994: Continued success and split.

Jon Kelly returned to the producer’s chair in 1991 for the album Fellow Hoodlums. The album was met with more critical approval and peaked at No. 2 on the UK Albums Chart. Fellow Hoodlums was followed up by 1993’s Whatever You Say, Say Nothing, a much more experimental album. The album was not as commercially successful as the previous two albums, peaking at No. 4 on the UK Albums Chart. Changing from producer Jon Kelly to the team of Steve Osborne and Paul Oakenfold, this album presented a change in musical style for Deacon Blue. While the band’s songwriting remained based in rock and blues, many of the tracks moved into alternative rock territory in their presentation.

The band embarked on another sold out UK tour in 1994, after recording new material for their greatest hits compilation album, Our Town. This saw the band return to No. 1 in the UK Albums Chart and was one of the year’s top sellers, while “I Was Right and You Were Wrong” and a re-release of “Dignity” saw the band re-enter the Top 20 of the UK Singles Chart. The album contained the previous singles from the band, minus “Closing Time” and “Hang Your Head”. The album also contained three new tracks. “I Was Right and You Were Wrong”, the first single from this album, was an alternative rock track that continued and expanded the musical direction the band had taken with Whatever You Say, Say Nothing. “Bound to Love” and “Still in the Mood” were pop songs in the tradition of Deacon Blue’s earlier albums. The vinyl LP version of the album contained a fourth new track, “Beautiful Stranger”. “Dignity” was released, now for the third time, as the second single from the album.

With Vipond’s decision to quit the group in favour of a career in television, Deacon Blue split up in 1994.

1999–2006: Re-formation and new material.

Five years later, the band held a reunion gig in 1999, and this led on to a new album, Walking Back Home, with the band now working on a part-time basis. The Walking Back Home album combined eight songs that were brand new compositions, previously unreleased tracks, or released only with limited availability, with nine previously released Deacon Blue songs. This as followed by another album, Homesick, in 2001.

Graeme Kelling died from pancreatic cancer in 2004, but the band continued and recorded three new tracks for a Singles album – including the track “Bigger than Dynamite” in 2006.

2006–2012: Touring and side projects.

The band performed at Manchester United’s Old Trafford stadium, as the pre-match entertainment for the Rugby league Super League Grand Final on 14 October 2006, and continued on to a full UK tour in November. They were also due to open Stirling’s New Year party in 2006, but this was cancelled at the last minute due to extreme weather. A further tour followed in November 2007 and the band then provided support for Simple Minds in 2008. They also appeared at Stirling’s Hogmanay in 2008.

Deacon Blue appeared at The Homecoming Live Final Fling Show, at Glasgow’s SECC on 28 November 2009, and headlined Glasgow’s Hogmanay on 31 December 2009. The band performed several gigs, including Glastonbury, and the Liverpool Echo Arena on 29 July 2011.

Ross, who had released a solo album before the formation of Deacon Blue, released two solo albums during the time between Deacon Blue’s breakup in 1994 and reformation in 1999. Due to Deacon Blue’s part-time status after reformation, Ross released additional solo albums in 2002 and 2005 and has written for and with other recording artists. In 2009, Ross and McIntosh recorded an album together under the name ‘McIntosh Ross’.

2012–2013: New record label and The Hipsters.

The album The Hipsters was released on 24 September 2012 and was produced by Paul Savage. A 25th anniversary tour, starting in October 2012, followed.

All of the band’s studio albums were reissued as deluxe editions by Edsel Records in October 2012, as well as a new compilation entitled The Rest.

2013–present: A New House and Believers.

Deacon Blue arranged dates in 2014 for a comeback tour. It was announced in April 2014 that their seventh studio album, A New House, would be released on 8 September that year. Ross later said the album had “come off the energy of getting back together, playing live”, referring to their touring during 2012. Deacon Blue also performed at the Glasgow 2014 Commonwealth Games closing ceremony on 3 August 2014, performing their hit, “Dignity”.

A new studio album, Believers, was released on 30 September 2016. Three promo singles, the title track, “This Is A Love Song” and “Gone” have been released. A tour was undertaken to promote the album, culminating in a return to the Glasgow Barrowlands on 4 December 2016, which was recorded for a live album as well as video. This was released on 31 March 2017 on vinyl, CD, DVD, Blu-Ray as well as digital download of both audio and video versions. A special screening event was held, the day before, at the Glasgow Film Theatre.

Between February and March 2018, Deacon Blue embarked on a tour of Spain, marking the first time that the band has played a series of live shows in Spain. The band described the shows as “an incredible experience for us all”, and later confirmed that Deacon Blue will be returning to Spain in 2019 for another series of live shows, claiming that “Spain has a very special place in our hearts”.

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Kings-Queens of Scotland. Duncan 1rst.

Donnchad mac Crinain (Modern Gaelic: Donnchadh mac Crìonain; anglicised as Duncan I, and nicknamed An t-Ilgarach, “the Diseased” or “the Sick”; ca. 1001 – 14 August 1040) was king of Scotland (Alba) from 1034 to 1040. He is the historical basis of the “King Duncan” in Shakespeare’s play Macbeth.

Life.

DUNCAN 1RST.

He was a son of Crínán, hereditary lay abbot of Dunkeld, and Bethóc, daughter of king Máel Coluim mac Cináeda (Malcolm II).

Unlike the “King Duncan” of Shakespeare’s Macbeth, the historical Duncan appears to have been a young man. He followed his grandfather Malcolm as king after the latter’s death on 25 November 1034, without apparent opposition. He may have been Malcolm’s acknowledged successor or Tànaiste as the succession appears to have been uneventful. Earlier histories, following John of Fordun, supposed that Duncan had been king of Strathclyde in his grandfather’s lifetime, between 1018 and 1034, ruling the former Kingdom of Strathclyde as an appanage. Modern historians discount this idea, although it is supported by the ODNB.

An earlier source, a variant of the Chronicle of the Kings of Alba (CK-I), gives Duncan’s wife the Gaelic name Suthen, and John of Fordun suggests that she may have been a relative of Siward, Earl of Northumbria. Whatever his wife’s name and family connections may have been, Duncan had at least two sons. The eldest, Malcolm III (Máel Coluim mac Donnchada) was king from 1058 to 1093 after assassinating and usurping Lulach, Macbeth’s stepson. The second son Donald III (Domnall Bán, or “Donalbane”) was king afterwards. Máel Muire, Earl of Atholl is a possible third son of Duncan, although this is uncertain.

The early period of Duncan’s reign was apparently uneventful, perhaps a consequence of his youth. Macbeth (Mac Bethad mac Findláich) is recorded as having been his dux, today rendered as “duke” and meaning nothing more than the rank between prince and marquess, but then still having the Roman meaning of “war leader”. In context — “dukes of Francia” had half a century before replaced the Carolingian kings of the Franks and in England the over-mighty Godwin of Wessex was called a dux — this suggests that Macbeth may have been the power behind the throne.

In 1039, Duncan led a large Scots army south to besiege Durham, but the expedition ended in disaster. Duncan survived, but the following year he led an army north into Moray, Macbeth’s domain, apparently on a punitive expedition against Moray. There he was killed in action, at Bothnagowan, now Pitgaveny, near Elgin, by the men of Moray led by Macbeth, probably on 14 August 1040. He is thought to have been buried at Elgin before later relocation to the island of Iona.

Depictions in fiction

Anachronistic depiction of Duncan I by Jacob de Wet, 17th century

Duncan is depicted as an elderly king in the play Macbeth (1606) by William Shakespeare. He is killed in his sleep by the protagonist, Macbeth.

In the historical novel Macbeth the King (1978) by Nigel Tranter, Duncan is portrayed as a schemer who is fearful of Macbeth as a possible rival for the throne. He tries to assassinate Macbeth by poisoning and then when this fails, attacks his home with an army. In self-defence Macbeth meets him in battle and kills him in personal combat.

In the animated television series Gargoyles he is depicted as a weak and conniving king who assassinates those who he believes threaten his rule. He even tries to assassinate Macbeth, forcing Demona to ally with the Moray nobleman, with Duncan’s resulting death coming from attempting to strike an enchanted orb of energy that one of the Weird Sisters gave to Macbeth to take Duncan down.

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